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Editors’ Note


Remembering Sandra Alfoldy

Under the Radar

Spotting lesser-known talent in Nunavut - Ugly Fish Design by Lera Kotsyuba. Read Article


Two ways to make a Revolution.


Did You Know?

Michael Prokopow considers revolutionary anniversaries.


Review: Rob Froese

Carmen Belanger reviews an ACAD graduation show.


Review: Then, Now and Next

Lera Kotsyuba reviews an exhibition at the Clay and Glass Gallery.


Conference Review

Marci Rae McDade reviews the Textile Society of America symposium.

in Studio



A Revolution out of Touch

Ceramist, photographer and writer Rachelle Chinnery reflects on how far craft is going, and what it has left behind.


Susan Edgerley

2019 Bronfman Award Winner

Dianne Charbonneau celebrates the work of the glass artist and educator, recognized by the Canada Council’s highest honour.


Sowing the Seeds

Bronfman winner Susan Edgerley and the foundation of FUSION & Espace Verre.


Moving Beyond a Modern Craft

Julie Hollenbach wrestles with craft’s cultural blind spots – aspiring for craft beyond modernism,  and making beyond appropriation.


50 Years at Sheridan College

The Craft and Design program has had an outsized impact on Canadian (and global) craft. Rachel Gotlieb revisits the history of the founding.


Four Revolutionary Moves

Throughout its history, craft has been revolutionary. Amy Gogarty and Mireille Peron introduce four makers continuing that tradition.


Pride and Protest

Rebecca Gray reports from Otahpiaaki Fashion Week.

At the Border

In a follow up to her article ‘Why I’m done defining Craft’ (Studio FW18-19), Mary Callahan Baumstark gives some examples of change-making makers.


Studio 14.1


Managing Editor


Spring/Summer 2019

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