Studio:
Subvert
FOCAL POINT
PJ Anderson Shaya Ishaq writes about the ceramicist’s explorations of Black futures. read article
PORCUPINES & BARKRay Cronin visits the work of the Quill Sisters as they re-imagine a traditional craft.
THESE FRAGILE TOPOGRAPHIES
A visual presentation of Maureen Gruben’s environment-focused art.
A DISTINCTLY CANADIAN ETHOS
Canadian ceramic artists hold a special regard in the British exhibition No Boundaries, writes Mary-Beth Laviolette.
PROVOCATIONS CRAFT BEYOND THE BINARIES
matt lambert asks how curatorial strategies can be used to disrupt traditional approaches to craft. read article
A CURIOUS DISCOMFORT
Jill Allan writes about the domestic and erotic in Carissa Baktay’s glass sculptures.
A DETERMINED PLEASURE
Historian Michael Prokopow delves into our attachments to the objects we collect. read article
EXPANDING DEFINITIONS
Writer Erica Cardwell interviews professor and artist Anthea Black. read article
PICA AND RECLAIM
Poetry by ceramicist Andrea Charise.
PORTFOLIO
Corrine Hunt [Ts’akis (Alert Bay)], B.C.
Hanna Yokozawa-Farquharson (Saltcoats, Sask.)
Lucus MacDonald (Belfast, P.E.I.)
INQUIRIES: CÉCILE BRANCOThe co-founder Fabrique 1840 describes how she relishes problem-solving and enjoys promoting the crafts. read article
WHAT
Studio 17.2
ROLE
Managing Editor
WHEN
Fall/Winter 2022