Studio:
Subvert
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FOCAL POINT
PJ Anderson Shaya Ishaq writes about the ceramicist’s explorations of Black futures. read article
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PORCUPINES & BARKRay Cronin visits the work of the Quill Sisters as they re-imagine a traditional craft.
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THESE FRAGILE TOPOGRAPHIES
A visual presentation of Maureen Gruben’s environment-focused art.
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A DISTINCTLY CANADIAN ETHOS
Canadian ceramic artists hold a special regard in the British exhibition No Boundaries, writes Mary-Beth Laviolette.
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PROVOCATIONS CRAFT BEYOND THE BINARIES
matt lambert asks how curatorial strategies can be used to disrupt traditional approaches to craft. read article
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A CURIOUS DISCOMFORT
Jill Allan writes about the domestic and erotic in Carissa Baktay’s glass sculptures.
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A DETERMINED PLEASURE
Historian Michael Prokopow delves into our attachments to the objects we collect. read article
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EXPANDING DEFINITIONS
Writer Erica Cardwell interviews professor and artist Anthea Black. read article
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PICA AND RECLAIM
Poetry by ceramicist Andrea Charise.
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PORTFOLIO
Corrine Hunt [Ts’akis (Alert Bay)], B.C.
Hanna Yokozawa-Farquharson (Saltcoats, Sask.)
Lucus MacDonald (Belfast, P.E.I.)
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INQUIRIES: CÉCILE BRANCOThe co-founder Fabrique 1840 describes how she relishes problem-solving and enjoys promoting the crafts. read article
WHAT
Studio 17.2
ROLE
Managing Editor
WHEN
Fall/Winter 2022