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Studio:
Subvert

Editor’s Note

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FOCAL POINT

PJ Anderson Shaya Ishaq writes about the ceramicist’s explorations of Black futures. read article

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PORCUPINES & BARKRay Cronin visits the work of the Quill Sisters as they re-imagine a traditional craft.

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THESE FRAGILE TOPOGRAPHIES
A visual presentation of Maureen Gruben’s environment-focused art.

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A DISTINCTLY CANADIAN ETHOS
Canadian ceramic artists hold a special regard in the British exhibition No Boundaries, writes Mary-Beth Laviolette.

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PROVOCATIONS CRAFT BEYOND THE BINARIES
matt lambert asks how curatorial strategies can be used to disrupt traditional approaches to craft. read article

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A CURIOUS DISCOMFORT
Jill Allan writes about the domestic and erotic in Carissa Baktay’s glass sculptures.

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A DETERMINED PLEASURE
Historian Michael Prokopow delves into our attachments to the objects we collect. read article

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EXPANDING DEFINITIONS
Writer Erica Cardwell interviews professor and artist Anthea Black. read article

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PICA AND RECLAIM
Poetry by ceramicist Andrea Charise.

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PORTFOLIO

Corrine Hunt [Ts’akis (Alert Bay)], B.C.

Hanna Yokozawa-Farquharson (Saltcoats, Sask.)

Lucus MacDonald (Belfast, P.E.I.)

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INQUIRIES: CÉCILE BRANCOThe co-founder Fabrique 1840 describes how she relishes problem-solving and enjoys promoting the crafts. read article

WHAT

Studio 17.2

ROLE

Managing Editor

WHEN

Fall/Winter 2022

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