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Studio:
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Editor’s Note

FOCAL POINT

PJ Anderson Shaya Ishaq writes about the ceramicist’s explorations of Black futures. read article

PORCUPINES & BARKRay Cronin visits the work of the Quill Sisters as they re-imagine a traditional craft.

THESE FRAGILE TOPOGRAPHIES
A visual presentation of Maureen Gruben’s environment-focused art.

A DISTINCTLY CANADIAN ETHOS
Canadian ceramic artists hold a special regard in the British exhibition No Boundaries, writes Mary-Beth Laviolette.

PROVOCATIONS CRAFT BEYOND THE BINARIES
matt lambert asks how curatorial strategies can be used to disrupt traditional approaches to craft. read article

A CURIOUS DISCOMFORT
Jill Allan writes about the domestic and erotic in Carissa Baktay’s glass sculptures.

A DETERMINED PLEASURE
Historian Michael Prokopow delves into our attachments to the objects we collect. read article

EXPANDING DEFINITIONS
Writer Erica Cardwell interviews professor and artist Anthea Black. read article

PICA AND RECLAIM
Poetry by ceramicist Andrea Charise.

PORTFOLIO

Corrine Hunt [Ts’akis (Alert Bay)], B.C.

Hanna Yokozawa-Farquharson (Saltcoats, Sask.)

Lucus MacDonald (Belfast, P.E.I.)

INQUIRIES: CÉCILE BRANCOThe co-founder Fabrique 1840 describes how she relishes problem-solving and enjoys promoting the crafts. read article

WHAT

Studio 17.2

ROLE

Managing Editor

WHEN

Fall/Winter 2022

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