![Spring/Summer 2020 COVER](https://static.wixstatic.com/media/e9f16c_a08ecc222fe4460889c9527434553006~mv2.jpg/v1/fill/w_147,h_187,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/e9f16c_a08ecc222fe4460889c9527434553006~mv2.jpg)
![Spring/Summer 2020 COVER](https://static.wixstatic.com/media/e9f16c_a08ecc222fe4460889c9527434553006~mv2.jpg/v1/fill/w_147,h_187,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/e9f16c_a08ecc222fe4460889c9527434553006~mv2.jpg)
Studio:
Land
Editor’s Note​
Focal Point
The Toronto Ink Company Jessica Sharples considers how Jason Logan dissolves Death Valley into ink.
Making Sense of the World
Michael Prokopow identifies naming as a colonial endeavour and finds hope in reclamation practises.
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As If Painting The Land Were A Way of Knowing Anong Beam’s paint stones have developed a devoted following and author Kathryn Walsh Kuitenbrouwer explores the joyful process of making them. read article
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Saidye Bronfman Award Winner: Anna Torma
Anna Torma’s accomplished career is reviewed by curator Sarah Quinton.
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River Lot 11∞
Christine Sokaymoh Frederick and Dawn Saunders Dahl write about the history of Edmonton’s Indigenous Art Park.
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The Things That We Build And Place There
Nehal El-Hadi speaks with curator, author and activist Wanda Nanibush. read excerpt
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Portfolio
Quin Cheung (Calgary, AB.)
Ande Brown (Winnipeg, MB.)
Mathew Nuqingaq (Iqaluit, NU)
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Review Essay: The Politics Of Extraction
Writer and curator Rea McNamara explores the environmental accountability demanded by artist Dana Prieto’s work.
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Inquiries: Laura Lipcsei The conservator describes her work at the Royal Ontario Museum. read article
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WHAT
Studio 15.1
ROLE
Writer,
Managing Editor
WHEN
Spring/Summer 2020